I recorded this last year and have just posted it on my YouTube channel: Third Mode Melody, by Thomas Tallis. The tune is from Archbishop Matthew Parker's Psalter of 1567 and was originally a setting for Psalm 2. This tune became the basis for Ralph Vaughan Williams' transcendently beautiful Fantasia on a Theme by Thomas Tallis (1910) and Fisher Tull's Sketches on a Tudor Psalm (1971). It is in the phrygian mode, one of the church modes, which means that on the white piano keys one would begin at E and end at E an octave higher without using the black keys. The melody is sometimes called the THIRD TUNE, because it was the third of nine in Parker's collection. It's also called THIRD MODE MELODY, because the phrygian mode is the third, if one begins with the ionian and dorian modes. I believe this simple tune is one of the most haunting pieces of music ever written.
In the Christian Reformed Church's grey Psalter Hymnal David J. Diephouse's versified text for Psalm 62 is set to this tune. In Cantus Christi the 1912 Psalter's text for Psalm 63 is set to this tune.
I am still learning and hope eventually to be able to produce more professional-looking and sounding videos. In particular, you will need to increase the volume a bit to hear this.
2 comments:
A beautiful melody! A little detail: the name "Third Mode" may refer to the old eight-mode system, which did not contain Ionian or Aeolian:
I = dorian
II = hypodorian
III = phrygian
IV = hypophrygian
V = lydian
VI = hypolydian
VII = myxolydian
VIII = hypomyxolydian
Ah! Thanks for this. That makes sense.
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